As an environmental artist and marine researcher, my work deals with the decline of the coral reef ecosystems. I make drawings, sculptures and installations that investigates and highlights the main causes of the state that coral reefs are found today.
The phenomena known as coral bleaching, ocean acidification and plastic pollution are the main starting points in discussing the human effects in ocean conservancy.
I invite the public to discover a complex biological network, where the concept of ecosystem is materialized through organization, symmetry and repetition.
My recent and interactive pieces (like, how to dry kill, to kill with water and to replenish with water) deals with the ephemeral state of the work and its forever changing quality, much like the ocean itself. It creates kinship with the creatures of the reef, a direct bodily experience to raise awareness and responsibility of this most powerful and endangered ecosystem.
Like the reef itself, my work uses a number of underlying structures – interdependence, diversity and scale – to organize collective empathy.My main interest is to study these phenomena to create dry dives, a way of showing a vailed ecosystem internal to our planet that most people don’t have access to. I am especially interested in endangered species and how to translate scientific based studies into visual arts.
My most recent activity on mitigating strategies for ocean conservancy is creating sculptures that functions as artificial reefs so they can perform their crucial role in deflating the tourism on natural reefs, in providing new structures for corals to attach and grow, generating nursing spaces and new homes for so many reef animals and in helping control sea level rise in coral depleted areas.