Journal

  • by Maria Di Giammarco

    What started off as an interest in American 1950’s Pop Art for artist Emma Coyle back in the early 2000’s, has grown into a multitude of work which represents a strong want to make very precise individual images.

  • Tea Time with Melanie

    Notes on October
    by Melanie Prapopoulos

    Getting to October has been something of a task this year, the reason being that during the early days of COVID,  Fiber Artists - Miami Association  (FAMA) formed and with that came October’s exhibition. 

  • by Maria Di Giammarco

    Welcome to CAMP Conversations, an editorial space brought to you by The Contemporary Art Modern Project! At The CAMP, we’re firm believers in the power of the intimate relationship between art and those who love art, and we’re happy to champion it in our approach to a nearly-inaccessible industry. CAMP Conversations are written to promote thoughtful dialogue exploring the art industry embedded with our sophisticated brand of snark, involving artists, gallery employees, and our beloved audience.

  • by Maria Di Giammarco

    The CAMP’s booth for this year’s 3D Hamptons Virtual Art Fair featured a selection of works by CAMP artists Joseph Ginsberg, Dominik Schmitt, and Drew Doggett. While their perspectives exist on different points of every spectrum imaginable, they unite in both their sentimentality for memories and the lessons they’ve tucked into their pieces.

  • Tea Time with Melanie

    Notes on September
    by Melanie Prapopoulos

    At The CAMP Gallery, September kicks off with the second edition of The Hamptons Virtual Art Fair, where we are exhibiting works by Dominik Schmitt, Joseph Ginsberg and Drew Doggett.

  • by Maria Di Giammarco

    The beginnings of textile work are an incomplete picture, what with the perishable quality of early materials, but what is certain is that the craft has always been more than simply utilitarian. That much is clear considering that the items most representative of us—our personalities, cultures, our values, our memories—tend to be woven, embroidered, or sewed.

  • Tea Time With Melanie

    Notes on August
    by Melanie Prapopoulos

    Starting a new gallery in the middle of a global pandemic may seem to be a ridiculous venture, but this time and experience has given myself and The CAMP Gang ample time to cement our purpose, our ethos, and our identity.

  • CAMP Conversations

    On "Collective Isolation" and Symbiosis: a Conversation with Beatriz Chachamovits and Khotan Fernandez
    by Maria Di Giammarco

    Welcome to CAMP Conversations, an editorial space brought to you byThe Contemporary Art Modern Project! At The CAMP, we're firm believers in the power of the intimate relationship between art and those who love art, and we're happy to champion it in our approach to a nearly-inaccessible industry. CAMP Conversations are written to promote thoughtful dialogue exploring the art industry embedded with our sophisticated brand of snark, involving artists, gallery employees, and our beloved audience.

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